Set in the occupied Syrian Golan Heights, it confronts a looming storm: the installation of massive wind turbines and the noise-driven displacement they threaten. As wind reshapes climate, land, and politics, Zifzafa listens to ancient modes of coexisting with air and sound—now fractured. Composed by Busher Kanj Abu Saleh and performed with Amr Mdah, this live audio essay captures wind as both a force of erasure and a call to resist. Sound, here, becomes memory, archive, and frontline.