Rabih Mroué, born 1967, lives and works in Beirut. Rabih Mroué is an actor, director, playwright, visual artist, and a contributing editor for The Drama Review (TDR). He is also a co-founder of the Beirut Art Center (BAC), Beirut. With his complex and diverse practice, spanning different disciplines and formats in between theater, performance, and visual arts, Rabih Mroué explores the responsibilities of the artist in communicating with an audience in given political and cultural contexts. His works deal with issues that have been swept under the rug in the current political climate of Lebanon and the region. His works include: Hartakāt (2023), Sunny Sunday (2020), Borborygmus (2019), So Little time (2016), Ode to Joy (2015), Riding on a cloud (2013), 33 RPM and a Few Seconds (2012), The Inhabitants of images (2008), Who’s Afraid of Representation (2005), looking for a missing employee (2003), and others...